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Sequential Circuits | Pro One |
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Description | The Sequential Pro One is a wicked little monosynth! It comes from the same period and genre as the Roland SH-101 and Moog Prodigy. The Pro One was basically Sequential's attempt at taking their legendary Prophet 5 poly-synth and packing it into a compact, inexpensive, monophonic analog synth! It has two VCOs, a great 4-pole lowpass filter, two ADSR envelopes (one for filter), and a compact three-octave keyboard. With a Pro-One, you can easily create punchy analog bass-lines and leads or quirky analog synth effects. The Pro One is an extremely flexible synth with lots of modulation possibilities (ie: the filter, VCO B and LFO can modulate VCO A or B frequencies or pulse widths, or the VCF). There's also an onboard sequencer, something common on many Sequential synths but not often found on other monosynths of the time. It is very basic, however, storing only two patterns and up to 40 notes max. Also, only pitch info is recorded (and in step time only); you can not assign a note duration to any notes. So it's basically a short melodic sketch-pad...but useful. Also onboard is an arpeggiator which has UP and UP/DOWN patterns. |
| Brand | Sequential Circuits |
| Model | Pro One |
| Device | Synth |
| Type | Keys |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 1 |
| Oscillators | 2 |
| LFO | saw, tri, pulse |
| Noise | Y |
| Engine Detailed | 2 VCOs (CEM-3340 chips): : VCO A saw/pulse, VCO B saw/tri/pulse, Noise |
| Filter (VCF) | CEM-3320 Filter chips: 4-pole lowpass with Cutoff, Resonance, ADSR Envelope, Keyboard Tracking |
| Envelope (VCA) | ADSR |
| Sequencer | 2 patterns of pitch info only, 40 note capacity. |
| Arpeggiator | UP, UP/DOWN patterns, Latch mode |
| Keys | 36 |
| Key type | Keys |
| Velocity | N |
| Aftertouch | N |
| CV-gate | CV/Gate |
| Produced: | 1981 - 1984 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
